In my installations and urban actions I promote public participation. The viewer becomes an actor and author of the work. The drawing, photography and painting are the means used in the production of "events" that seek reflection and action in the city by the identification of its signs. Memory, history and space are the dominant themes. The participant is invited to be part of visual surveys or interventions that explore a specific urban space and time. The various locations and landmarks of the city are rebuilt in the viewer's memory and confronted in the artistic experience. My works are not intended to decorate the city, but to be part of its history, or at least to be part of the memory we have of it. Here's a brief show of the work.

   
     
   

 

   
 
   
Auto-Retratos 450. 1350 photographs on a three-cylinder urban installation. Merida, Venezuela  
   
 
 
 
 
 
 
 
Mural project. Mural for the school of Law. Universidad de Los Andes, Merida, Venezuela
 
 
My house from the square. Visual survey. 300 drawings on addresses,taken voluntarily at Merida's downtown squares
 
 
CD Room, Utopian windows. La Otra Banda gallery. Merida, Venezuela
 
 
 
Let's build the city. Museum of Modern Art Juan Astorga Anta. Merida, Venezuela
 
   
       
         
       
         
       
         
    The language of the gentlemen. Installation at El Sótano gallery. Merida, Venezuela